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HINDU PILGRIMAGES
Of the literally thousands of temples, a few have come to be known
as major pilgrimage centres, and include the following:
BRAHMA TEMPLE, (Pushkar)
Though he may have no other temple sacred to his memory, Brahma
seems to have take full advantage of the only one where prayers are
offered to him. Not only did he perform a yagya or ritual fire
ceremony here, he also dropped a lotus from his hands to create the
lake where people bathe before offering him prayers. A silver turtle
at the entrance of the marble temple is a symbol of the marble
temple is a symbol of his means of transport (the gods had various
animals on which they moved along their heavenly paths).
Pushkar is best known for its Brahma temple, though it is by no
means the only temple here, with as many as four hundred temples
lining the banks of the lake. Spires form a skyline that, when the
vesper bells ring, are worthy of the kingdom heaven itself. Though
it is visited throughout the year, Pushkar in November, during he
time of its annual fair, is a colourful mass of people and
celebrations coinciding with the largest camel fair held in the
world.
EKLINGJI TEMPLE, (Udaipur)
The founder of the Mewar dynasty that ruled from Chittaurgarh, Bappa
Rawal had a miraculous dream in which he prayed before an image of
Shiva which resulted in the removal of a problem that had been
troubling him in his waking hours. He resolved then to build a
temple to Shiva, and so the complex had its genesis, 24 km north of
Udaipur. Eklingji, this particular manifestation of Shiva, has ever
since been regarded as the true ruler of the kingdom in whose name
th emaharanas governed Mewar, and has been the tutelary deity of the
Sisodia clan.
Eklingji consists of a complex of 108 temples, coinciding with the
number of beads in the rudraksh necklace that sadhus use for
meditation. The temple dedicated to Eklingji is the tallest of them
all, its black stone idol a representation of the linga with four
faces that have four images in the cardinal directions of Surya,
Brahma, Vishnu and Rudra.
The complex also has a life-size image of Bappa Rawal, and its
numerous temples have carved images of Ganesh, Ambamata, Kalika, as
well as other Shivalingas, and brackets with images of celestial
numphs.
GOVIND DEVJI TEMPLE, (Jaipur)
The family temple for the Kachchwahas of Jaipur, and open to the
public, the idols in the temple, brought here from Vreindavan, are
believed to have been carved by Vajranath, one of the greatest
sculptors of the time, and grandson of Krishna. No wonder, the
Krishna image has such a bewitching counternance.
The temple was consecrated as part of the City Palace complex by
Sawai Jai Singh II. A simple temple, with an open pavilion
surrounded by columns, and with a tiered courtyard, obeisance and
ritual worship at the temple is deemed high on the scale of merit.
Mounted on a silver throne, and ornamented with gold jewellery, the
idols are particularly venerated during Janamashatmi, the monsoon
celebrations coinciding with Krishna’s birth anniversary.
SHRINATHJI TEMPLE, (Nathdwara)
A Krishna
temple with an image carved from a single block of black marble,
Nathdwara has a history that is only a few centurises ago.Faced by
Aurangzeb’s persecution. Goswami Dev carried this particular idol
from Mathura in a chariot, seeking to bring it to Udaipur. However,
awheel of the chariot got stuck in the sand and toil as they would,
the people could not pull it out. Seeing it as an act of divine
will, it was decided that the image of the lord would be consecrated
on the very spot, and so the temple of Shrinathji came to be.
At the temple, glimpses of the idol are permitted for short
intervals at fixed times of the day, and it is believed that the
faithful see him in different moods associated with his life. The
curtain cloths behind the idol have also given rise to one of the
better known art forms of Rajasthan, its famous cloth paintings or
pichwais.
The ruling house of Udaipur has always come to pray at the temple
and as the head of his clan, it is not surprising that the maharana
is also popularly known as Shriji among his people. Nathdwara is 48
km from Udaipur.
AMBER’S KALI
TEMPLE
A 16th century temple dedicated to the goddess, it has
exquisite silver doors. Also in Amber are a number of other Shiva
temples.
BIJOLIA AND
MENAL
Located on the kota-Chittaurgarh highway, these are Shiva temples
dating back to the 10th century, and have carved images
of Shiva, Parvati and Nandi that are particularly note worthy for
their craftsmanship.
GALTAJI
Rising sharply from a deep gorge are hills where the medieval
Janamashatmi, the monsoon celebrations coinciding with Krishna’a
birth anniversary.
KAILA DEVI
This hilltop temple has a following throughout Rajasthan, and is 24
km from Karauli. It becomes a point of pilgrimage in the months of
Chaitra (March-April) and Ashadha (September-October).
KOLAYAT
An ancient pilgrimage spot associated with the great sage Kapil Muni,
it is 50 km from Bikaner, and has a number of temples around the
ghats of the lake.
OSIAN
Off the Jodhpur-Bikaner highway, and 65 km from Jodhpur, this was
once a major centre of pilgrimage both for Hindus and Jains. The
remaining temples are like a cathedral to their grand faith in the
medieval ages.
RANTHAMBHOR’S
GANESH TEMPLE
Famous as a tiger reserve, the fort within the sanctuary has a
Ganesh temple that has a large following among the people of
Rajasthan.
JAIN
PILGRIMAGES
The restrained austerity of the Jain way of life has its anti-thesis
in the delightful exuberance, even opulence, which one sees in their
temples.
DILWARA
TEMPLE (Mount Abu)
For many visitors, this is reason enough to visit Mt Abu. Located
within an ancient mango grove, the Dilwara temples are profusely
carved, and are open between noon and six in the evening. During the
morning, the priests perform several ritual ceremonies that are not
open for public viewing. The Jains house images of their
tirthankaras (those who impart knowledge) within the sanctums, and
the two main shrines, those of Adinath and Neminath, are elaborately
carved, from doorways and lintels to ceilings, pillars, walls and
arches. The sculptor’s art is as much a dedication to the gods as it
is a repository of the stone-carver’s skill, enshrined here forever.
A separate hall, dedicated to the donors who worked towards the
building of these magnificent temples, houses their life size images
including the delicate tracery of their garments captured in
exquisite detail on marble.
PARSVANATH
TEMPLE (Nakoda)
Situated in a valley ringed by hills, on the Jodhpur-Barmer highway,
the temple dedicated to the tirthankara Parsvanathis carved in black
stone. Beside it are other Jain temples, including Shantinath with
its steep flight of stairs, as well as some ancient Hindu temples.
RANAKPUR
Since the Jains held important positions in Rajput courts, made
their money through trading, and were influential moneylenders to
the royal house, it was hardly surprising that the Ranas, in turn,
were patrons of the Jains and their quiet religious ways. In fact,
the tract of land on which the Ranakpur temples have been laid was a
gift of the Ranas to the Jains in the 15th century. The
Chaumukha is its principal diety in the main temple with its
impressive dimensions: 29 halls spread over 40,000 sq ft and
consisting of 1,444 pillars, not one of the which is alike in it’s
carving. Cupolas surround the five spires. Three entrances lead to
the temple via doublestoried portals and pillared courts. Halls and
courtyards radiate around the main shrine. Also in the valley are
polygonal sun temples, and two 14th-century Jain temples
dedicated to Neminath and Parsvanath.
SHRI
MAHAVIRJI TEMPLE
Located 90 km from Ranathambhor, it is believed that the spot was
converted into a pilgrimage spot following the unearthing of a
statue of Mahavira by a cowherd. The temple is a vast complex that
has been constructed with white sandstone, and has cupolas of red
sandstone. Its chhatris and spires are visible from all around. The
walls are painted with religious scenes, and facing the temple is a
tower where the footsteps of Mahavira have been consecrated.
RISHABDEO
TEMPLE (Dhulev)
A temple complex that is beautifully complex, 64 km from Udaipur, it
is dedicated to Rishabdeo, while images of several other
tirthankaras are carved into panels on the walls. Built in the 15th
century, the temple has stone elephants at the entrance, and images
of goddesses, flanking the main shrine. Various phases of
Rishabdeo’s life are also illustrated through sculptured panels.
Offerings of saffron are made to the deity, and a rath yatra every
year attracts pilgrims from all over.
BHANDASHA
JAIN TEMPLE
A 16th century temple dedicated to the 23rd
tirthankara Parsvanath, this temple in Bikaner is very popular.
LODURVA
An important complex of Jain temples near Jaisalmer, they are known
for the fine quality of their sandstone carvings.
ISLAMIC
PILGRIMAGES
Though there are mosques in most settlements, a few are important.
DARGAH SHARIF
(Ajmer)
A Sufi saint, khawaja Moinuddin Chisti was a descendent of Prophet
Mohammed, and was offered this land during the reign of Prithviraj
Chauhan. He built himself a formidable following, and not only among
Muslims. It is said that when he was 114 years old, the saint locked
himself into a room to pray. Six days later, when disciples broke
open the door, they found his mortal remains. It is for this reason
that the annual urs is celebrated here for a period of six days. At
the time of this feast, consecrated food is cooked in huge
cauldrons, and served by those who serve at the shrine, while
standing within it. It is belived that the huge cauldrons were a
gift from Emperor Akbar who came to pray at the shrine and pray for
the boon of heirs, and was blessed with sons. Ever since, the
Mughals have always come to pray at Ajmer. Qawwalis are sung at the
shrine in a mesmeric tempo, and people offer chadars at the grave of
the venerated saint.
TARKIN KI DARGAH (Nagaur)
A discipline of Chisti too gained himself a following, and his tomb
in Nagaur has become associated with miracle cures among people of
all faiths.
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